Key visual.
A key visual is the one picture a whole campaign runs on: the billboard, the poster, the print ad, the banner. It makes the idea clear in two seconds, and it can run again and again.
Use it once the idea is chosen and has to work on a wall.

One beer, nine pictures.
Comps for Straight Face, a sample 0.0% lager, drawn by Nutcracker from one brief. A comp is the picture you agree on before anything is shot.








Seven ways in.
Draft at least three, each a different way in, then keep the most specific picture. The good one is rarely the first.
Proof
Show the true thing only your brand can show. It has to be real: a test, an event, people’s own pictures.
Same cheers
Consequence
Push the claim until something happens, then show that: to the product, the person, the logo or the poster itself. Start from something true.
Swap
Put your product where people expect something else, so the two share the point. The likeness has to be obvious, and true.
Too big to ignore
May cause questions
Subtraction
Take away what everyone expects: the logo, the copy, the product, the ad. What’s missing makes the point.
On the board
Brand code
Let something you own do the logo’s job: a colour, a shape, the pack, cropped, split or found somewhere new.
Found faces
Straight faces
Opposite
Flip what your category always shows, or a picture everyone already knows.
The alibi bank
Site
Let the place make the point: where the poster hangs, or what it’s printed on.
Still up
Nil–nil
Two seconds.
Show it for two seconds, then hide it. If the point went with it, start again.
Three more before you show anyone
Swap the logo
Put a competitor’s logo on it. If it still works, the idea isn’t finished.
Say it once
The line never says what the picture shows. A headline that describes the picture wastes the wall.
Run it twice
Name what stays and what changes, then make the second one. If it can’t run twice, it’s a poster, not a campaign.
Cross these out.
The alibi bank
A golden pour, condensation, a glass on a sunny table.A fading list of excuses above one can on plain grey. The page says what the audience is used to explaining, then shows a beer that doesn’t need to.
Straight faces
Friends laughing, mouths open, fun as the promise.One unsmiling person holding a can with a matching flat face. A flat face is the brand’s code, so the picture works at a glance and can run with any of your audience.
Nil–nil
A packed stadium or a crowd cheering, sport as spectacle.A can on a wet bar, a 0–0 score blurred behind it. The zero belongs to the game, so the can looks like it belongs in the room.
Too big to ignore
A hero can, lit and glossy, floating on a studio backdrop.A can the height of a building in a grey crossroads, ignored. It shows scale without a crowd or a gag, and the indifference makes it funny without a joke.
Same cheers
The pint as the hero, with the alcohol-free option shown apart, or hidden.The can in the middle of a pint toast, tight on hands, no faces. It shows the can held with pride, not hidden or poured into a glass, and it shames no one who drinks.
May cause questions
A “drink responsibly” line in small print at the foot of a happy scene.A full warning label with one deadpan line, “May cause questions.”, and the can under it. The category’s most boring convention becomes the headline, and the line sets up “Good question.” without shaming anyone.
Run it on your brand.
Give Nutcracker the idea and the brand. It finds the picture, writes the line and draws a comp of each for your art director. 7 days free, no card.
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